Far Beyond the Field: Haiku by Japanese Women
(eBook)

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Published
Columbia University Press, 2003.
Format
eBook
ISBN
9780231502795
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Various Authors., & Various Authors|AUTHOR. (2003). Far Beyond the Field: Haiku by Japanese Women . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. 2003. Far Beyond the Field: Haiku By Japanese Women. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. Far Beyond the Field: Haiku By Japanese Women Columbia University Press, 2003.

MLA Citation, 9th Edition (style guide)

Various Authors, and Various Authors|AUTHOR. Far Beyond the Field: Haiku By Japanese Women Columbia University Press, 2003.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDba0001eb-f28a-0598-b99d-711585a1e6b5-eng
Full titlefar beyond the field haiku
Authorauthors various
Grouping Categorybook
Last Update2022-12-03 20:01:43PM
Last Indexed2024-05-11 04:42:03AM

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First LoadedJun 8, 2022
Last UsedJan 8, 2024

Hoopla Extract Information

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    [synopsis] => Far Beyond the Field is a first-of-its-kind anthology of haiku by Japanese women, collecting translations of four hundred haiku written by twenty poets from the seventeenth century to the present. By arranging the poems chronologically, Makoto Ueda has created an overview of the way in which this enigmatic seventeen-syllable form has been used and experimented with during different eras. At the same time, the reader is admitted to the often marginalized world of female experience in Japan, revealing voices every bit as rich and colorful, and perhaps even more lyrical and erotic, than those found in male haiku. Listen, for instance, to Chiyojo, who worked in what has been long thought of as the dark age of haiku during the eighteenth century, but who composed exquisitely fine poems tracing the smallest workings of nature. Or Katsuro Nobuko, who wrote powerfully erotic poems when she was widowed after only two years of marriage. And here, too, is a voice from today, Mayuzumi Madoka, whose meditations on romantic love represent a fresh new approach to haiku.
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