Zeami: Performance Notes
(eBook)

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Published
Columbia University Press, 2008.
Format
eBook
ISBN
9780231511414
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Motoyiko Zeami., & Motoyiko Zeami|AUTHOR. (2008). Zeami: Performance Notes . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Motoyiko Zeami and Motoyiko Zeami|AUTHOR. 2008. Zeami: Performance Notes. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Motoyiko Zeami and Motoyiko Zeami|AUTHOR. Zeami: Performance Notes Columbia University Press, 2008.

MLA Citation, 9th Edition (style guide)

Motoyiko Zeami, and Motoyiko Zeami|AUTHOR. Zeami: Performance Notes Columbia University Press, 2008.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDc93d2c3a-d1c1-fc1e-1ed5-a9bc6ee5c09e-eng
Full titlezeami performance notes
Authorzeami motoyiko
Grouping Categorybook
Last Update2022-10-18 22:25:19PM
Last Indexed2024-05-11 05:08:27AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 7, 2023
Last UsedAug 7, 2023

Hoopla Extract Information

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    [synopsis] => Zeami (1363-1443), Japan's most celebrated actor and playwright, composed more than thirty of the finest plays of no drama. He also wrote a variety of texts on theater and performance that have, until now, been only partially available in English. Zeami: Performance Notes presents the full range of Zeami's critical thought on this subject, which focused on the aesthetic values of no and its antecedents, the techniques of playwriting, the place of allusion, the training of actors, the importance of patronage, and the relationship between performance and broader intellectual and critical concerns. Spanning over four decades, the texts reflect the essence of Zeami's instruction under his famous father, the actor Kannami, and the value of his long and challenging career in medieval Japanese theater. Tom Hare, who has conducted extensive studies of no academically and on stage, begins with a comprehensive introduction that discusses Zeami's critical importance in Japanese culture. He then incorporates essays on the performance of no in medieval Japan and the remarkable story of the transmission and reproduction of Zeami's manuscripts over the past six centuries. His eloquent translation is fully annotated and includes Zeami's diverse and exquisite anthology of dramatic songs, Five Sorts of Singing, presented both in English and in the original Japanese.
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