Beryl McBurnie
(eAudiobook)

Book Cover
Average Rating
Published
The University of the West Indies Press, 2020.
Format
eAudiobook
ISBN
9789766408268
Status
Available Online

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Physical Description
2h 51m 0s
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Various Authors., Various Authors|AUTHOR., & Diana Gardener|READER. (2020). Beryl McBurnie . The University of the West Indies Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Various Authors, Various Authors|AUTHOR and Diana Gardener|READER. 2020. Beryl McBurnie. The University of the West Indies Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Various Authors, Various Authors|AUTHOR and Diana Gardener|READER. Beryl McBurnie The University of the West Indies Press, 2020.

MLA Citation, 9th Edition (style guide)

Various Authors, Various Authors|AUTHOR, and Diana Gardener|READER. Beryl McBurnie The University of the West Indies Press, 2020.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID1833dc85-6bbf-5b86-d342-fc1ddbdf58df-eng
Full titleberyl mcburnie
Authorauthors various
Grouping Categorybook
Last Update2024-05-14 23:01:43PM
Last Indexed2024-05-16 23:44:42PM

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    [synopsis] => Determined, imperious, flighty, charming, Beryl McBurnie was born in Trinidad and went to New York in the early 1940s to study dance and drama. She also made a name for herself as a dancer and singer, Belle Rosette. But she turned her back on the bright lights to return to Trinidad. There she continued the work she had begun before World War II, researching and performing the dances of the Caribbean, especially those that drew on African traditions. She was part of an anticolonial movement that recognized the unique culture of the country and the region and eventually led Trinidad and Tobago to independence. Artistically, McBurnie's work influenced dancers throughout the region and beyond. She also devoted years to building the Little Carib Theatre. Intended as a home for folk dance, it also housed Derek Walcott's Theatre Workshop and became a crucible for the performing arts. This book portrays the woman, explores the influences that shaped McBurnie and those whom she influenced in turn, and tells of her struggle to realize a vision she nurtured for decades.
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