Vonnegut in Fact: The Public Spokesmanship of Personal Fiction
(eBook)

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Published
University of South Carolina Press, 2012.
Format
eBook
ISBN
9781611171273
Status
Available Online

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Language
English

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APA Citation, 7th Edition (style guide)

Jerome Klinkowitz., & Jerome Klinkowitz|AUTHOR. (2012). Vonnegut in Fact: The Public Spokesmanship of Personal Fiction . University of South Carolina Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Jerome Klinkowitz and Jerome Klinkowitz|AUTHOR. 2012. Vonnegut in Fact: The Public Spokesmanship of Personal Fiction. University of South Carolina Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Jerome Klinkowitz and Jerome Klinkowitz|AUTHOR. Vonnegut in Fact: The Public Spokesmanship of Personal Fiction University of South Carolina Press, 2012.

MLA Citation, 9th Edition (style guide)

Jerome Klinkowitz, and Jerome Klinkowitz|AUTHOR. Vonnegut in Fact: The Public Spokesmanship of Personal Fiction University of South Carolina Press, 2012.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID56fc9d5f-1f91-c121-284c-df23bb79aef2-eng
Full titlevonnegut in fact the public spokesmanship of personal fiction
Authorklinkowitz jerome
Grouping Categorybook
Last Update2024-05-14 23:01:43PM
Last Indexed2024-06-26 01:25:03AM

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Last UsedJun 25, 2024

Hoopla Extract Information

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    [synopsis] => Vonnegut in Fact offers a thorough assessment of the artistry of Kurt Vonnegut, known not only as the best-selling author of Slaughterhouse-Five, Timequake, and a dozen other novels, but also as the most widely recognized public spokesperson among writers since Mark Twain. Jerome Klinkowitz traces the emergence of Vonnegut's nonfiction since the 1960s, when commentary and feature journalism replaced the rapidly dying short story market. Offering close readings and insightful criticism of Vonnegut's three major works of nonfiction, his many uncollected pieces, and his unique manner of public speaking, Klinkowitz explains how Vonnegut's personal visions developed into a style of great public responsibility that mirrored the growth of his fiction. Klinkowitz views his subject as a gentle manipulator of popular forms and an extremely personable figure; what might seem radically innovative and even iconoclastic in his fiction becomes comfortably avuncular and familiarly American when followed to its roots in his public spokesmanship.
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