The Story of Classic Crime in 100 Books
(eBook)

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Average Rating
Published
Sourcebooks, 2017.
Format
eBook
ISBN
9781464207242
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Martin Edwards., & Martin Edwards|AUTHOR. (2017). The Story of Classic Crime in 100 Books . Sourcebooks.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Martin Edwards and Martin Edwards|AUTHOR. 2017. The Story of Classic Crime in 100 Books. Sourcebooks.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Martin Edwards and Martin Edwards|AUTHOR. The Story of Classic Crime in 100 Books Sourcebooks, 2017.

MLA Citation, 9th Edition (style guide)

Martin Edwards, and Martin Edwards|AUTHOR. The Story of Classic Crime in 100 Books Sourcebooks, 2017.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDa969f9c7-e79c-4c56-69c7-458af23c3444-eng
Full titlestory of classic crime in 100 books
Authoredwards martin
Grouping Categorybook
Last Update2024-05-14 23:01:43PM
Last Indexed2024-06-08 03:27:55AM

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First LoadedJul 4, 2022
Last UsedJun 3, 2024

Hoopla Extract Information

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    [synopsis] => 2018 ALA Book Club October Pick, Things that Go Bump: Paranormal Mysteries
	David Randall's perfect family life came derailed when his little daughter Lindsey died in a car crash. Thrown out by his second wife and wanting to leave a dead-end detective agency to start his own, he reluctantly accepts his psychic friend Camden's invitation to stay in Camden's boarding house in Parkland, North Carolina.
	Meanwhile, working the case of the murder of Albert Bennett, Randall's only clue is a notebook filled with odd musical notation. When another client, Melanie Gentry, hires him to prove her great-grandmother was murdered by her lover, composer John Burrows Ashford, over authorship of "Patchwork Melodies," Randall sets out to find a connection to Bennett's murder, as well as to the murder of a Smithsonian director, who was preparing a new PBS documentary on early American music.
	Randall's investigations lead him to another notebook, where he finds not only "Two Hearts Singing," Ashford's most famous song, but a valuable early copy of Stephen Foster's "Oh! Susanna," hidden in the cover. But things become more complicated when Ashford's spirit parks itself in Cam...and refuses to leave until Randall proves Ashford's innocence.
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